The New York Times – Film:
Staffers at Film at Lincoln Center keep a list of the incorrect movie titles they’ve heard from patrons. That list is very, very long.
The New York Times – Film:
Staffers at Film at Lincoln Center keep a list of the incorrect movie titles they’ve heard from patrons. That list is very, very long.
The New York Times – Film:
The film that takes those two major industry prizes almost always goes on to win the best-picture Oscar.
The New York Times – Film:
The strong lineup includes comeback kid Demi Moore, Brazilian actress Fernanda Torres, and “Emilia Pérez” star Karla Sofía Gascón. But who will win?
The New York Times – Film:
Many of the top contenders can be watched at home. Here’s a guide to help you get a jump on the field.
The New York Times – Film:
Instead, these moments in “Anora,” “Babygirl,” “Challengers” and more involve complex power dynamics that speak volumes about their characters.
The New York Times – Film:
The list includes “Anora,” “Conclave,” “Emilia Pérez” and “A Complete Unknown,” which all received directors and actors guild nominations, too.
The New York Times – Film:
The three films have momentum leading up to the planned Oscars nomination announcement next week.
The New York Times – Film:
“Anora,” “A Compete Unknown” and “The Brutalist” are also in the running for best film at the British equivalent of the Oscars.
The New York Times – Film:
Are the most intense scenes in “Nosferatu,” “Anora” and “Babygirl” supposed to be funny? If not, why are people cracking up?