The New York Times – Fashion & Style:
In naming Pieter Mulier as its new chief creative officer, Versace showed that the fashion industry can be a chummy place.
The New York Times – Fashion & Style:
In naming Pieter Mulier as its new chief creative officer, Versace showed that the fashion industry can be a chummy place.
The New York Times – Music:
After 40 years with the organization, the trumpeter and impresario will end his role as managing and artistic director in July 2027.
The New York Times – Film:
Anonymous Content, a production company whose top investor is Laurene Powell Jobs’s Emerson Collective, has named Darren Walker as president and chief executive.
The New York Times – Music:
Semyon Bychkov will soon take up the most prestigious post of his long, varied career. Collaborating with Ralph Fiennes on “Eugene Onegin,” he gives a taste of things to come.
The New York Times – Music:
Deborah Warner, known for directing theater and opera, succeeds Pierre Audi, who died last year. Her own work is expected to be part of her programming.
The New York Times – Music:
Semyon Bychkov will be the musical director for a period when the opera’s performance spaces are under renovation. It’s a chance to add symphonic seasons like at La Scala.
The New York Times – Film:
Before returning to New York to lead Roundabout, Christopher Ashley is concluding his 18-year tenure at La Jolla Playhouse with the new musical “Working Girl.”
The New York Times – Fashion & Style:
After one hit collection, the designer Dario Vitale will be leaving the brand. What’s going on?