The New York Times – Fashion & Style:
In its fifth year, Alcova, the independent design fair, offered an alternative to Milan Design Week, which has become the largest festival of its kind in the world.
Category: Architecture
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Studio Railroad: This Home Office in Washington Is Also a Train
The New York Times – Fashion & Style:
Working with the architect Tom Kundig, a creative director had a crazy idea: Wouldn’t it be cool if you could put your work space on a railroad track?
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In the Footsteps of Charles III
The New York Times – Travel:
An alternative coronation tour explores the psyche and history of the new king, from the gardens he created to the London hotel he used as the backdrop for his coming out with the new Queen Consort.
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Pharaonic Funkatizing at the Met Roof Garden
The New York Times – Fashion & Style:
Lauren Halsey built a personal monument drawing on sources from ancient Egypt to George Clinton to threatened neighborhoods of South Central Los Angeles.
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In Scotland, a Minimalist House That Keeps the World at Bay
The New York Times – Fashion & Style:
They raised six children. Now it was time for a home that was entirely their own.
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Michael Blackwood, Who Captured 20th-Century Artists on Film, Dies at 88
The New York Times – Film:
He made cinéma vérité documentaries — more than 160 — about musicians (Thelonious Monk), architects (Frank Gehry), composers (Philip Glass) and sculptors (Isamu Noguchi).
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In Scotland, Coastal Living Beckons at a Golfing Hot Spot
The New York Times – Travel:
Since the late 17th century, when Archerfield House was built, the East Lothian area has been a desired locale to lay roots and swing iron.
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Michael Blackwood, Who Captured 20th-Century Artists on Film, Dies at 88
The New York Times – Film:
He made cinéma vérité movies — more than 160 — about musicians (Thelonious Monk), architects (Frank Gehry), composers (Philip Glass) and sculptors (Isamu Noguchi).
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What’s It Like to Live in a Grocery Store? Surprisingly Comfortable.
The New York Times – Fashion & Style:
When two artists bought the vacant building, it was ‘grim and creepy.’ Now it’s not only a home — it’s a communal arts space.