The New York Times – Music:
Cutting-edge technology has again come to the Bayreuth Festival, where Wagner premiered his final opera with the latest stagecraft in 1882.
The New York Times – Music:
Cutting-edge technology has again come to the Bayreuth Festival, where Wagner premiered his final opera with the latest stagecraft in 1882.
The New York Times – Music:
The Bayreuth Festival’s production of “Parsifal” will feature augmented reality. Securing the equipment set off a financial and philosophical dispute.
The New York Times – Music:
Young people are increasingly at ease consuming culture via digital avatars or made with artificial intelligence. Should the same moral guidelines and laws apply to those works?
The New York Times – Music:
Firestorms over the “virtual rapper” FN Meka and faceless artists on Spotify have sparked conversations about alienation and creative agency.