The New York Times – Film:
Bringing a great crying scene to the big screen requires a combination of craft and empathy. This is how three recent movies — “Close,” “Babylon” and “The Woman King” — pulled it off.
The New York Times – Film:
‘Avatar: The Way of Water,” “Black Panther: Wakanda Forever” and “Top Gun: Maverick” made the cut. “The Woman King” and “Women Talking” were snubbed.
The New York Times – Film:
The star of Damien Chazelle’s epic was set on becoming a writer-director. Even after landing a part in an indie film, he wasn’t sold on acting. Then Hollywood called.
The New York Times – Film:
The Damien Chazelle epic is set in 1920s Hollywood and draws on figures from that time, including “the ‘It’ Girl,” Clara Bow.
The New York Times – Film:
The Damien Chazelle epic is set in 1920s Hollywood and draws on figures from that time, including “the ‘It’ Girl,” Clara Bow.
The New York Times – Film:
Margot Robbie’s 1920s silent-screen star wears her locks long and frizzy — and that’s by design, as the director Damien Chazelle and hairstylist explain.
The New York Times – Film:
As the awards show tries to restore its golden luster, there are still notable omissions, while some nominees may snub the ceremony itself.
The New York Times – Film:
The kind of critically praised dramas that often dominate the awards season are falling flat at the box office, failing to justify the money it takes to make them.