The New York Times – Film:
Hollywood usually looks to the annual awards as a party, but this year they also have an unlikely mission: A bid for relevance.
The New York Times – Film:
Hollywood usually looks to the annual awards as a party, but this year they also have an unlikely mission: A bid for relevance.
The New York Times – Film:
It’s a very competitive year for the top Oscar. With precursor awards like the Golden Globes coming soon, here’s what may make the cut.
The New York Times – Film:
The key moment in the smash hit went through many revisions: “We ended in tears. It ended in laughter, it got big, it got small.”
The New York Times – Film:
In 2023, male characters pouted elaborately after something they saw as their birthright was put in check.
The New York Times – Film:
Movie audiences flocked to Taylor Swift, “Barbie” and “Oppenheimer” but were cooler toward returning superheroes like the Flash, Captain Marvel and Aquaman.
The New York Times – Film:
The film is the equivalent of a semifinalist in the song, score and sound categories. “Killers of the Flower Moon” also landed on several lists.
The New York Times – Film:
The director and writer behind “Barbie,” “Little Women” and “Lady Bird” will help pick the winner of next year’s Palme d’Or, the festival’s main prize.
The New York Times – Film:
The Korean American drama from Celine Song got four nominations, while Swift’s concert film got one. “The Color Purple” was overlooked for best musical.
The New York Times – Fashion & Style:
OK, some might be more Styles-ish than stylish. But all commanded attention this year.
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