The New York Times – Film:
Fans nationwide shopped their closets for the rosiest interpretations of the Barbie ethos: sparkly bags, open-toed pumps, stretchy headbands and more.
The New York Times – Film:
Fans nationwide shopped their closets for the rosiest interpretations of the Barbie ethos: sparkly bags, open-toed pumps, stretchy headbands and more.
The New York Times – Film:
With the biggest revenues since 2019, “Barbenheimer” gives the usual franchises a run for their money, selling out even predawn screenings.
The New York Times – Fashion & Style:
Inside the studio of the costume master who helped give the world “Klute,” “The English Patient,” “Midnight Cowboy,” “Working Girl,” “Mamma Mia!” “Ma Rainey’s Black Bottom” — and more.
The New York Times – Film:
The big launch of “Barbie” and “Oppenheimer” should have been a celebratory moment, but an industry on pause has darkened the mood.
The New York Times – Music:
10 songs marked by aesthetic contrasts for the movies’ big opening weekend.
The New York Times – Film:
Manohla Dargis, the chief film critic for The New York Times, shares her thoughts on the movie event of the year and an industry still reeling from the pandemic.
The New York Times – Film:
She’s in the driver’s seat, headed for uncharted territory (flat feet!). But there are limits to how much dimension even Greta Gerwig can give this branded material.
The New York Times – Film:
The toy-based comedy is expected to draw $100 million; the biopic half that. But in an uneven year for movies, the duel seems to be engaging audiences.
The New York Times – Film:
The actors’ strike effectively ended the “Barbie” film’s press tour. But Margot Robbie’s pink-carpet outfits are worth remembering.
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