The New York Times – Film:
Los tres cineastas más importantes del México contemporáneo recuerdan sus proyectos con el actor. “El mejor actor de nuestra generación”, dice Del Toro, quien le dio un papel en ‘Cronos’, su ópera prima.
Category: Bardo, False Chronicle of a Handful of Truths (Movie)
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When Daniel Giménez Cacho Met the Three Amigos
The New York Times – Film:
Alfonso Cuarón, Guillermo del Toro and Alejandro G. Iñárritu have each enlisted the actor in key films, including the new drama “Bardo.” They explain why.
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‘Bardo’ | Anatomy of a Scene
The New York Times – Film:
Alejandro G. Iñárritu narrates a sequence from his film starring Daniel Giménez Cacho that was shot with hundreds of extras on the streets of Mexico City.
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How ‘Bardo’ Turns Collapsing Into Choreography
The New York Times – Film:
Alejandro G. Iñárritu narrates a sequence from his Netflix film “Bardo, False Chronicle of a Handful of Truths,” where multiple people drop to the ground in Mexico City.
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Could Theatrical Movies Shut Out Streamers for the Top Oscars?
The New York Times – Film:
A year after Apple’s historic best-picture win, the lead categories could be filled entirely by big-screen films. But don’t call it a comeback just yet.
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‘Bardo, False Chronicle of a Handful of Truths’ Review: It’s a Stressful Afterlife
The New York Times – Film:
In Alejandro G. Iñárritu’s sprawling, intensely personal new film, a prominent journalist grapples with work, family, metaphysics and the paradoxes of Mexican history.
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Winter Movies 2022: Here’s What’s Coming Soon to Streaming and Theaters
The New York Times – Film:
The season’s gifts include long-awaited sequels to “Black Panther” and “Knives Out” and intriguing originals like “Women Talking” and “The Fabelmans.”
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159 Films, for Every Taste, Coming This Fall
The New York Times – Film:
From art house to hellhouse and back, here’s a select list of the most anticipated titles this season, including “The Fabelmans,” “White Noise” and more.
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At the Telluride Film Festival, ‘Women Talking’ and Other Topics of Conversation
The New York Times – Film:
Up in the mountains, feminism, artistic solipsism, Lady Chatterley and Cate Blanchett mingle in an expansive vision of mainstream moviemaking.