The New York Times – Music:
Anthony Brandt, a musicologist whose work focuses on music cognition, talks about what this musical form and how human beings approach open-ended problems.
The New York Times – Music:
Anthony Brandt, a musicologist whose work focuses on music cognition, talks about what this musical form and how human beings approach open-ended problems.
The New York Times – Music:
A novel approach to Mozart’s Requiem, orchestral works by Tania León and music conducted by Joe Hisaishi are among the highlights.
The New York Times – Music:
Using powerful technologies, scientists found staggering amounts of lead and other toxic substances in the composer’s hair that may have come from wine, or other sources.
The New York Times – Music:
A pillar of chamber music for nearly a half-century, the Emerson players bid farewell with Beethoven’s Opus 130 and Schubert’s String Quintet.
The New York Times – Music:
After decades away, the musicians, led by Kent Nagano, were back in the United States to perform works by Sean Shepherd, along with Beethoven and Brahms.
The New York Times – Music:
By analyzing seven samples of hair said to have come from Ludwig van Beethoven, researchers debunked myths about the revered composer while raising new questions about his life and death.
The New York Times – Music:
The Los Angeles Philharmonic and Deaf West Theater are working on an innovative production conceived for both hearing and deaf operagoers.
The New York Times – Music:
The pianist Mitsuko Uchida and the tenor Mark Padmore subtly threaded a program of Beethoven songs and Schubert’s “Schwanengesang.”