The New York Times – Film:
The film, from the director Ilker Catak, explores political repression in Turkey. Another movie set in the country, “Salvation,” took the runner-up prize.
The New York Times – Film:
The film, from the director Ilker Catak, explores political repression in Turkey. Another movie set in the country, “Salvation,” took the runner-up prize.
The New York Times – Film:
Some directors and stars at the Berlin Film Festival rejected a political view of cinema. But the movies there suggest that politics is broader than just activism.
The New York Times – Film:
Reporters’ attempts to draw stars into debates about Gaza and other highly charged topics have threatened to overshadow the movies at the Berlin Film Festival.
The New York Times – Film:
Called his “masterpiece,” one film, “Satantango,” is seven hours long. A favorite of critics and art-house festivals, he focused on the “human dignity” of marginal characters.
The New York Times – Film:
The festival, which takes place in winter and late in the award season, has, in recent years, been somewhat overshadowed by its sister events in Cannes and Venice.
The New York Times – Film:
The backlash to some winners’ speeches at the festival shows how polarized and fraught Germany’s culture scene has become.
The New York Times – Film:
The documentary, directed by Mati Diop, was awarded the Golden Bear.
The New York Times – Film:
At a festival that is having an identity crisis, some of the best movies suggest that lacking certainty isn’t always a bad thing.
The New York Times – Film:
The TaxiFilmFest is partly a protest over the miserable state of Berlin’s taxi industry. But it’s also a celebration of the cab’s iconic place in the urban cultural landscape.