The New York Times – Music:
Matthias Pintscher’s first opera in 20 years invites audiences to find their own meaning in a macabre 19th-century tale.
The New York Times – Music:
Matthias Pintscher’s first opera in 20 years invites audiences to find their own meaning in a macabre 19th-century tale.
The New York Times – Music:
The famed singer, known for her captivating presence, intellectual approach and distinctive sound, is retiring from the stage with “Elektra.”
The New York Times – Music:
The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir V. Putin.
The New York Times – Music:
Among our critic’s recommendations are multiple “Ring” cycles, a premiere by Ellen Reid and the soprano Lise Davidsen in Strauss’s “Salome.”
The New York Times – Music:
Young music theater makers are benefiting from the continent’s huge operatic resources while developing their own distinctive voices.
The New York Times – Music:
He left his mark in Hamburg, Berlin, Salzburg and elsewhere. He also directed a memorable “Ring” cycle in Bayreuth.