The New York Times – Film:
“Bernstein’s Wall,” directed by Douglas Tirola, focuses on the composer and conductor’s belief that art can be an uplifting and uniting force.
Category: Bernstein, Leonard
-
How Much Say Should Families Have in Biopics?
The New York Times – Film:
The Oscars slate this year is packed with films rooted in historical events and biographies. How much influence should the subjects have?
-
Why Don’t More American Maestros Lead American Orchestras?
The New York Times – Music:
Leonard Bernstein blazed a trail for conductors from the United States nearly 70 years ago. But at top American orchestras these days, they’re scarce.
-
In Vienna, the Adventures of ‘Candide’ Continue
The New York Times – Music:
On the heels of the new film “Maestro,” an American director will stage Leonard Bernstein’s often-reworked operetta in its “concert version.”
-
Bradley Cooper’s ‘Maestro’ Won’t Let Leonard Bernstein Fail
The New York Times – Music:
Bradley Cooper’s movie has an unrelenting focus on Bernstein’s marriage. What’s missing are his struggles as a musician.
-
What to Know About ‘Maestro’: A Guide to Bradley Cooper’s Bernstein Biopic
The New York Times – Music:
Now on Netflix, the movie tracks the life of the American conductor and composer and his wife, the actress Felicia Montealegre, played by Carey Mulligan.
-
Our Critics Rate Bradley Cooper’s Conducting in ‘Maestro’
The New York Times – Music:
Bradley Cooper did his homework.
-
‘Maestro’ and the Fake Nose Hall of Fame
The New York Times – Film:
“Maestro” isn’t the first time a supersize sniffer set off a whiff of controversy. Here’s a look at the most notable schnozzes onscreen.
-
‘Maestro’ Review: Leonard Bernstein’s Life of Ecstasy and Agony
The New York Times – Music:
As director and star, Bradley Cooper delivers an intimate portrait of the composer and his many private and public selves.