The New York Times – Music:
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness.
The New York Times – Music:
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness.
The New York Times – Music:
Festival O, back for the first time since 2019, featured two works of dazed horror and a rare staging of Rossini’s “Otello.”