The New York Times – Film:
The director developed such a distinct style that “Lynchian” became a go-to term for any sort of surrealism onscreen. These scenes from his work get to the heart of what that term embodied.
The New York Times – Film:
The director developed such a distinct style that “Lynchian” became a go-to term for any sort of surrealism onscreen. These scenes from his work get to the heart of what that term embodied.
The New York Times – Film:
The director himself came off as almost performatively normal. Masterpieces like “Eraserhead” and “Mulholland Drive” said otherwise.
The New York Times – Film:
Films like “Blue Velvet” and “Mulholland Drive” aren’t always easy to explain, but they live on in your mind and burrow under your skin.
The New York Times – Film:
A visionary, his films included “Eraserhead,” “Blue Velvet” and “Mulholland Drive,” considered his masterwork. He brought his skewed view to the small screen with “Twin Peaks.”
The New York Times – Music:
The filmmaker David Lynch turned to his haunting work again and again, for “Blue Velvet,” “Mulholland Drive” and other neo-noir films.
The New York Times – Music:
In projects for the director David Lynch, she brought an eerie, otherworldly style to “Falling” and other songs.