The New York Times – Travel:
The poet and novelist Luis Alberto Urrea thinks the borderlands are the most interesting book in the world, being rewritten every day. These are his recommendations.
The New York Times – Travel:
The poet and novelist Luis Alberto Urrea thinks the borderlands are the most interesting book in the world, being rewritten every day. These are his recommendations.
The New York Times – Film:
The Coens and Ridley Scott are among the directors who took big swings at the novelist’s work. The distinctive writer left his mark on the big screen.
The New York Times – Film:
“All the Pretty Horses,” “The Road” and “No Country for Old Men” were among his acclaimed books that explore a bleak world of violence and outsiders.
The New York Times – Film:
In her essay collection “Wannabe,” Aisha Harris argues that Black critics can both appreciate, and demand more from, shifts in popular culture.
The New York Times – Fashion & Style:
A new book by the British academic Rebecca May Johnson urges a radical rethinking of just what goes on in the kitchen. For starters, don’t call cooking a labor of love.
The New York Times – Film:
In the “brutally honest” memoir “Pageboy,” the actor recounts the fears and obstacles to gender transition, and the hard-won happiness that’s followed.
The New York Times – Film:
The art collective KIRAC was embroiled in court battles over a film about the author’s sex life. Is the dispute a performance? A marketing stunt? Or a genuine cultural feud?
The New York Times – Fashion & Style:
The long-running comic strip by Alison Bechdel, the creator of “Fun Home,” first held up a mirror to its queer readership in 1983. So what does a new audio adaptation have to say to listeners today?