The New York Times – Music:
Verdi’s adaptation of the Shakespeare tragedy comes to movie screens around the world. And “Rent” holds a 30th anniversary concert.
Category: Branagh, Kenneth
-
‘Atonement’ Review: Looking for Forgiveness
The New York Times – Film:
Based on a true story, this film centers on an American Marine trying to contact the family of the Iraqis he killed.
-
‘Mayday’ Review: Frenemies, a Cold War Story
The New York Times – Film:
Ryan Reynolds and Kenneth Branagh keep this “Top Gun”-inspired action comedy aloft.
-
Shakespeare’s ‘Hamlet’ and Its Insight Into Grief, Family and Gender
The New York Times – Film:
For one critic, every encounter with this Shakespeare play deepens her understanding of its insights into grief, family and gender.
-
With Striking Actors Off-Limits, Directors Get Their Close-Ups
The New York Times – Film:
Since striking movie stars are not allowed to promote studio films, filmmakers unexpectedly, and in some cases uneasily, have the spotlight to themselves.
-
The Many Mustaches of Kenneth Branagh’s Hercule Poirot
The New York Times – Film:
In “A Haunting in Venice,” the facial hair is practically a character, and it evolves as needed, thanks to the designer who considers it “a friend.”
-
‘A Haunting in Venice’ Review: A Whodunit With a Splash of Horror
The New York Times – Film:
Kenneth Branagh directs and stars in this adaptation of a ghostly mystery from Agatha Christie, with assists from Michelle Yeoh and Tina Fey.
-
‘Oppenheimer’ Review: A Man for Our Time
The New York Times – Film:
Christopher Nolan’s complex, vivid portrait of J. Robert Oppenheimer, the “father of the atomic bomb,” is a brilliant achievement in formal and conceptual terms.
-
‘CODA’ Triumphs, but Onstage Slap Takes Center Stage at the Oscars
The New York Times – Film:
On a night when “CODA” became the first film from a streaming service to win best picture, the focus was on Will Smith’s altercation with Chris Rock.