The New York Times – Film:
For one critic, every encounter with this Shakespeare play deepens her understanding of its insights into grief, family and gender.
Category: Branagh, Kenneth
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With Striking Actors Off-Limits, Directors Get Their Close-Ups
The New York Times – Film:
Since striking movie stars are not allowed to promote studio films, filmmakers unexpectedly, and in some cases uneasily, have the spotlight to themselves.
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The Many Mustaches of Kenneth Branagh’s Hercule Poirot
The New York Times – Film:
In “A Haunting in Venice,” the facial hair is practically a character, and it evolves as needed, thanks to the designer who considers it “a friend.”
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‘A Haunting in Venice’ Review: A Whodunit With a Splash of Horror
The New York Times – Film:
Kenneth Branagh directs and stars in this adaptation of a ghostly mystery from Agatha Christie, with assists from Michelle Yeoh and Tina Fey.
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‘Oppenheimer’ Review: A Man for Our Time
The New York Times – Film:
Christopher Nolan’s complex, vivid portrait of J. Robert Oppenheimer, the “father of the atomic bomb,” is a brilliant achievement in formal and conceptual terms.
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‘CODA’ Triumphs, but Onstage Slap Takes Center Stage at the Oscars
The New York Times – Film:
On a night when “CODA” became the first film from a streaming service to win best picture, the focus was on Will Smith’s altercation with Chris Rock.
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Jamie Dornan Goes Back to ‘Belfast,’ but Not Without Worry
The New York Times – Film:
This Oscar contending drama takes Dornan from “Fifty Shades of Grey” into prestige filmmaking, though many things about the film hit awfully close to home.
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‘Belfast’ Review: A Boy’s Life
The New York Times – Film:
In this charming memoir, Kenneth Branagh recalls his childhood in Northern Ireland through a rose-tinted lens.