The New York Times – Film:
Wagner Moura takes cover in this knockout from the filmmaker Kleber Mendonça Filho that is largely set in 1977 during Brazil’s miliary dictatorship.
The New York Times – Film:
Wagner Moura takes cover in this knockout from the filmmaker Kleber Mendonça Filho that is largely set in 1977 during Brazil’s miliary dictatorship.
The New York Times – Travel:
Leave your worries on the shore at resorts in places like an azure Caribbean bay, a crystal-clear Cambodian river and a pristine Thai lake.
The New York Times – Music:
A self-taught multi-instrumentalist, he rose from a childhood of rural privation to become a favorite of jazz musicians and audiences around the world.
The New York Times – T Magazine:
In the cities of Brazil, a landscape architect creates abundant private gardens that rewild the terrain from which these metropolises grew.
The New York Times – Fashion & Style:
The aesthetic of the sweaters he designed, which included provocative symbols like marijuana leaves and skulls, was casual. Their price tags were not.
The New York Times – Fashion & Style:
As one artist wrote: “Luxury is not found in the cold pixels of our phone or computer.”
The New York Times – Film:
The pianist Francisco Tenório Júnior, on tour in Argentina during the right-wing dictatorship of the 1970s, vanished. This animated feature picks up the trail.
The New York Times – Film:
The Brazilian director Kleber Mendonça Filho draws on fact and fiction in this image-rich documentary that moves fast and far, but always returns home.
The New York Times – Music:
When Brazilian musicians fused samba with jazz and classical influences in the 1950s and ’60s, he was among the first, and the best.