The New York Times – Music:
New works, “The Post Office” and “Constance: A Confession,” and a revival of Barber’s “Vanessa” show companies attempting to capture these nebulous times.
Category: Brooklyn Academy of Music
-
‘Moby Dick’ Review: Robert Wilson’s Last Masterpiece
The New York Times – Music:
Wilson’s 2024 adaptation of Herman Melville’s classic, with music by the British singer-songwriter Anna Calvi, has a short run at the Brooklyn Academy of Music.
-
Brooklyn Academy of Music Names New President: Tamara McCaw
The New York Times – Music:
Tamara McCaw, a longtime arts leader with experience at the Brooklyn Academy of Music, will lead it with a focus on stability.
-
Trisha Brown Dance Company Perform ‘Set and Reset’ at The New York Times
The New York Times – T Magazine:
Watch the Trisha Brown Dance Company stage a snippet of the choreographer’s 1983 piece “Set and Reset.”
-
The NYC Theaters Where the Oscar Nominees Are Playing
The New York Times – Film:
If you want to catch them all, there are many places to see them in the five boroughs.
-
In ‘Nadja,’ Dracula’s Daughter Goes Downtown
The New York Times – Film:
This triumph of low-budget filmmaking will shimmer for a week at Brooklyn Academy of Music.
-
Viva the Absurd: ‘What to Wear’ and a Wave of Opera Surrealism
The New York Times – Music:
Michael Gordon and Richard Foreman’s “What to Wear” at BAM is a visually rich, textually odd work — and a hot commodity.
-
Applying Richard Foreman’s Off-Kilter Aesthetic (and Ducks) to Opera
The New York Times – Music:
The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday.
-
What Is the Human Cost of Haute Couture?
The New York Times – Fashion & Style:
“Lacrima,” a play from the French playwright and director Caroline Guiela Nguyen, explores the hidden stories woven into luxury fashion.