The New York Times – Music:
An accordion virtuoso and a gifted vocalist, he scored country hits in the 1980s by putting a Cajun spin on songs like Richard Thompson’s “Tear-Stained Letter.”
The New York Times – Music:
An accordion virtuoso and a gifted vocalist, he scored country hits in the 1980s by putting a Cajun spin on songs like Richard Thompson’s “Tear-Stained Letter.”
The New York Times – Music:
She and her husband, Joe, recorded the first commercial recording of Cajun music ever made, giving voice to French-speaking Louisiana.