The New York Times – Film:
The premise for Chie Hayakawa’s film, “Plan 75,” is shocking: a government push to euthanize the elderly. In a rapidly aging society, some also wonder: Is the movie prescient?
Category: Cannes International Film Festival
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‘The Triangle of Sadness’ Wins Palme d’Or at Cannes
The New York Times – Film:
The film festival’s top prize went to a brutal sendup of class politics directed by Ruben Ostlund, who also won in 2017 for his satire “The Square.”
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Winning Looks From the Cannes Film Festival
The New York Times – Fashion & Style:
Trends and other takeaways from the fashion show — sorry, movie gathering — on the Croisette.
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Winning Looks From the Cannes Film Festival
The New York Times – Fashion & Style:
Trends and other takeaways from the fashion show — sorry, movie gathering — on the Croisette.
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Which Cannes Films Have the Best Oscar Odds?
The New York Times – Film:
Movies from Park Chan-wook, Lukas Dhont and Hirokazu Kore-eda could be what academy voters are looking for. But don’t count out “Top Gun: Maverick.”
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In Cannes, Filmmakers Contend With Despair and Beauty, Too
The New York Times – Film:
Titles like “Aftersun,” “Tori and Lokita” and “EO” offer dark visions that challenge and move viewers.
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Cannes 2022: David Cronenberg Is Practically Bionic Now
The New York Times – Film:
The body-horror auteur talks about aging and his new film ‘Crimes of the Future.’
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Cannes 2022: ‘Elvis’ Is Remixed by Baz Luhrmann
The New York Times – Music:
The super-splashy biopic presents the story of the King as told by a (fake) colonel, a narratively curious choice.
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George Miller on “Furiosa” and his new Cannes film
The New York Times – Film:
In between screenings and interviews, the 77-year-old director is working on the next film in the “Mad Max” universe, and he seems to be having a ball.