Carnegie Hall

Marian Anderson’s Ambition Was Always Clear: To Be a ‘Fine Artist’

The New York Times – Music:

Anderson’s importance as a barrier breaker in classical music has sometimes overshadowed the power of her artistry.

The New York Times – Music:

Joe Hisaishi got famous writing the soundtracks to Hayao Miyazaki’s Studio Ghibli films. Now he is focusing on his first love: classical music.

The New York Times – Music:

With ambition that exceeded its grasp, the orchestra performed Puccini’s “Il Trittico” ahead of the center’s expected closure.

The New York Times – Music:

This 22-year-old superstar pianist, who is still a student, tested out his graduation recital in New York before taking it to school in Boston.

The New York Times – Music:

Schiff has said he won’t perform in countries with what he calls strongmen leaders, a list that still includes the United States and Russia.

The New York Times – Music:

Recent performances by the Orchestra of St. Luke’s and the Philadelphia Orchestra offered music by Duke Ellington and John Adams.

The New York Times – Music:

At Carnegie Hall, the English Concert made a case for “Hercules” as a strikingly modern dramatic oratorio of psychological and musical depth.

The New York Times – Music:

The Chicago Symphony Orchestra has placed a huge bet on Klaus Mäkelä for its future. It’s still too soon to tell whether that will pay off.

The New York Times – Music:

Kevin Puts’s song cycle “Emily — No Prisoner Be” was brought to life by Time for Three and Joyce DiDonato in its New York premiere at Carnegie Hall.