The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
Category: Casino (Movie)
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From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.