The New York Times – Music:
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness.
The New York Times – Music:
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness.
The New York Times – Music:
Nadia Boulanger’s “La Ville Morte” was repeatedly thwarted by death and World War I, then nearly lost. Finally, it is having its American premiere.