The New York Times – Music:
The station, which had called the Met’s newer operas unsuitable because of their “difficult music” and “adult themes and harsh language,” reversed course.
The New York Times – Music:
The station, which had called the Met’s newer operas unsuitable because of their “difficult music” and “adult themes and harsh language,” reversed course.
The New York Times – Sports:
Terence Blanchard’s “Champion,” about the fighter Emile Griffith, is the rare opera to engage with sports. A boxing consultant helped keep it gritty.
The New York Times – Music:
Yannick Nézet-Séguin, the Metropolitan Opera’s music director, wears custom-made outfits tailored to each production, challenging conservative norms.
The New York Times – Fashion & Style:
The best looks from the premiere of “Champion” at the Metropolitan Opera and the New Museum Spring Gala.
The New York Times – Music:
Terence Blanchard’s jazz-inflected work tells the real-life story of the boxer Emile Griffith, haunted by guilt when an opponent died after a fight.
The New York Times – Music:
Terence Blanchard has been in rehearsals, with pencil and paper at the ready, as he tailors his opera ahead of its New York premiere.
The New York Times – Music:
This spring, Gustavo Dudamel, the Philharmonic’s next music director, conducts the big deal symphony, the Met Opera stages Terence Blanchard’s “Champion”; and in Chicago, Riccardo Muti says farewell.