The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Film:
In its unflinching depiction of a French teenager’s violent gay awakening, this 1983 film is among Patrice Chéreau’s most confrontational works.