The New York Times – Music:
Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.
The New York Times – Music:
Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.
The New York Times – Music:
Tippet Rise Art Center in Montana offers concerts in surroundings that make you feel as if you’re listening inside the land rather than around it.
The New York Times – Music:
Anderson’s importance as a barrier breaker in classical music has sometimes overshadowed the power of her artistry.
The New York Times – Music:
With a global audience, Ma models a way of being that goes against the grain of cynicism, polarization and isolation. It’s up to us to pay attention.
The New York Times – Music:
Sarah Davachi’s “The Will of Tongues” is a collection of music that refuses extremes and requires undivided attention.
The New York Times – Music:
Floating Points brings his niche classical music obsessions and deep love for dance clubs to his ballet score and new album “Mere Mortals.”
The New York Times – Music:
Able to convey the pathos of operatic heroines with her pure, expressive tone, she was also involved in prickly disputes with some directors and conductors.
The New York Times – Music:
The orchestra will play in six halls in the Washington area and tour to five states as the center moves to shut down for a two-year overhaul.
The New York Times – Music:
Curtis Stewart’s “24 American Caprices” are an answer to Paganini’s classic set. And they are already taking hold with musicians.