The New York Times – Music:
Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.
The New York Times – Music:
Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.
The New York Times – Music:
Franz Welser-Möst, the Cleveland Orchestra’s music director, takes us on a tour through the handwritten score of Mahler’s “Resurrection” Symphony.
The New York Times – Music:
The Cleveland Orchestra’s recent performances of Beethoven’s “Fidelio” join concerts that fill a gap in American opera.
The New York Times – Music:
Our critic tracked one concert, from its first rehearsals to its first performance. Practice is only part of what makes this ensemble excellent.
The New York Times – Music:
Christoph von Dohnanyi, who died on Saturday, was a conductor of clarity and poise, as evidenced especially in his output with the Cleveland Orchestra.
The New York Times – Music:
Christoph von Dohnanyi, who died on Saturday, was a conductor of clarity and poise, as evidenced especially in his output with the Cleveland Orchestra.
The New York Times – Music:
Known for his long tenure at the podium of the acclaimed Cleveland Orchestra, he was sought after as a guest with major symphonies and opera companies.
The New York Times – Music:
Carnegie’s intermittently illuminating festival “Fall of the Weimar Republic” has suffered from interjections of too much standard repertory.
The New York Times – Music:
With neither encores nor speeches, this ensemble presented a subtly clever, cogent and complete pair of concerts at Carnegie Hall.