The New York Times – Film:
Bringing a great crying scene to the big screen requires a combination of craft and empathy. This is how three recent movies — “Close,” “Babylon” and “The Woman King” — pulled it off.
The New York Times – Film:
At 31, Lukas Dhont already has two art-house hits to his name. The Belgian director’s latest film, “Close,” shows his skill at eliciting intense performances from young actors.
The New York Times – Film:
Friendship and tragedy go hand in hand in Lukas Dhont’s delicate, Oscar-nominated drama.