The New York Times – Fashion & Style:
Braden Peters, known as Clavicular, has emerged as a beacon for a group of narcissistic, status-obsessed young men. He wants to take his fixation with “looksmaxxing” mainstream.
Category: Content Type: Personal Profile
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How Did Pat McGrath Cosmetics Go From Billion-Dollar Brand to Bankruptcy?
The New York Times – Fashion & Style:
The makeup artist Pat McGrath was a favorite of Taylor Swift, Kim Kardashian and Madonna. Then she became a billion-dollar brand.
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Inside Danny L Harle’s Synthetic Universe
The New York Times – Music:
On his new solo album, “Cerulean,” the hyperpop producer who’s worked with Dua Lipa and Caroline Polachek explores his own sonic byways.
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Bad Bunny’s Sign Language Interpreter Will Make Super Bowl History, Too
The New York Times – Music:
Puerto Rican Sign Language is not the same as American Sign Language. Celimar Rivera Cosme will uniquely capture the rapper’s slang for the game’s deaf viewers.
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Anna Sui Ushers Her Fashion Label Into the Future With the Help of Her Three Nieces
The New York Times – Fashion & Style:
With the help of some of her nieces, the New York designer Anna Sui is steering her 45-year-old label into the future.
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Is Wallace Shawn the Only Avant-Garde Artist Who Gets Stopped in Times Square?
The New York Times – T Magazine:
He’s most commonly recognized for his screen roles as a plotting hit man and an unlikely Lothario, but it’s his work as a playwright that shows more of his true self.
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Super Bowl Halftime Is the World’s Biggest Stage. He Designs It.
The New York Times – Music:
From Prince’s giant symbol to Kendrick Lamar’s streetlamps, the set production designer Bruce Rodgers “makes the impossible possible.”
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Super Bowl Halftime Is the World’s Biggest Stage. He Designs It.
The New York Times – Music:
From Prince’s giant symbol to Kendrick Lamar’s streetlamps, the set production designer Bruce Rodgers “makes the impossible possible.”