The New York Times – Film:
The tinted balm was inspired by products that the filmmaker confected as a girl to achieve the “berry-stained lips” of a character in a Roman Polanski movie.
The New York Times – Film:
The tinted balm was inspired by products that the filmmaker confected as a girl to achieve the “berry-stained lips” of a character in a Roman Polanski movie.
The New York Times – Film:
She made documentaries of her husband Francis Ford Coppola’s “Apocalypse Now” and her daughter Sofia Coppola’s “The Virgin Suicides” and recalled their lives in books.
The New York Times – Film:
Whether it’s the return of steamy scenes or the lack of political speeches, the road to the Oscars holds a lot of clues about the state of the industry.
The New York Times – Music:
A conversation about Sofia Coppola’s impressionistic take on Elvis and Priscilla Presley’s relationship, plus: the surprising depth of a reality TV spinoff.
The New York Times – Music:
Hear songs that memorably accompanied scenes in “The Virgin Suicides,” “Lost in Translation,” “Priscilla” and more.
The New York Times – Film:
Young women let the director know how influential she is. But it’s still a battle to make films like her acclaimed “Priscilla.”
The New York Times – Film:
Sofia Coppola re-examines Elvis Presley from the perspective of the woman he married.
The New York Times – Film:
This year’s lineup includes films from Sofia Coppola, Yorgos Lanthimos and Bradley Cooper in which female characters squirm under the thumbs of egocentric men.