The New York Times – Music:
Anthony Roth Costanzo took over Opera Philadelphia when it was “three weeks away from stopping payroll.” Now, it is rebounding with a surplus.
The New York Times – Music:
Anthony Roth Costanzo took over Opera Philadelphia when it was “three weeks away from stopping payroll.” Now, it is rebounding with a surplus.
The New York Times – Music:
Opera Philadelphia’s latest premiere is like an exquisite corpse, with a libretto by Michael R. Jackson and starring Justin Vivian Bond.
The New York Times – Music:
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
The New York Times – Music:
Charles Ludlam’s camp tribute to Maria Callas, featuring the countertenor Anthony Roth Costanzo, is glamorous to a fault at Little Island.
The New York Times – Music:
At Little Island, the countertenor Anthony Roth Costanzo is starring, and singing, in Charles Ludlam’s “Galas,” a love letter to Callas.
The New York Times – Music:
Costanzo will be a rare figure in classical music: an artist in his prime who is also working as an administrator.
The New York Times – Music:
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
The New York Times – Music:
The American Modern Opera Company, a collective of restless and enterprising young musicians and dancers, is preparing for the Ojai Music Festival.