The New York Times – Fashion & Style:
Inside the studio of the costume master who helped give the world “Klute,” “The English Patient,” “Midnight Cowboy,” “Working Girl,” “Mamma Mia!” “Ma Rainey’s Black Bottom” — and more.
Category: Costumes
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Summer Fashion Inspired By Eric Rohmer’s Films
The New York Times – Film:
The outfits featured in the late French filmmaker’s work, celebrated by a new Instagram account, offer an antidote to all that is plastic and pink.
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And Just Like That Episode 5 Style Recap: Going as Yourself for Halloween
The New York Times – Fashion & Style:
In the fifth episode of the season, Carrie and her friends dress up for a costume benefit, and Rock gets scouted by Ralph Lauren.
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Does ‘And Just Like That …’ Signal the End of Stealth Wealth?
The New York Times – Fashion & Style:
So does the pop culture and fashion wheel turn.
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‘Stealth Wealth’ and Bare Feet: How Power Dresses on ‘Succession’
The New York Times – Fashion & Style:
The show’s costume designer, Michelle Matland, explained why she always starts “at the bottom.”
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The Designer Who Put Tina Turner in Those Hemlines
The New York Times – Fashion & Style:
The long, spangly relationship between the singer and Bob Mackie.
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A ‘Queen Charlotte’ Costume Designer on This Month’s Other Coronation
The New York Times – Fashion & Style:
A costume designer for Netflix’s new “Bridgerton” spinoff describes creating clothing for a Black royal, and looking to the House of Windsor for real-life inspiration.
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The Maestro Wore Blue: Bringing Pizazz to the Pit at the Met
The New York Times – Music:
Yannick Nézet-Séguin, the Metropolitan Opera’s music director, wears custom-made outfits tailored to each production, challenging conservative norms.
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A Filmmaker and a Fashion Designer Whose Artistry Comes From Curiosity
The New York Times – T Magazine:
In watching Mira Nair on set, the textile maker Aneeth Arora learned how to handle creative pressures of her own.