The New York Times – Fashion & Style:
A costume designer for Netflix’s new “Bridgerton” spinoff describes creating clothing for a Black royal, and looking to the House of Windsor for real-life inspiration.
Category: Costumes
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The Maestro Wore Blue: Bringing Pizazz to the Pit at the Met
The New York Times – Music:
Yannick Nézet-Séguin, the Metropolitan Opera’s music director, wears custom-made outfits tailored to each production, challenging conservative norms.
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A Filmmaker and a Fashion Designer Whose Artistry Comes From Curiosity
The New York Times – T Magazine:
In watching Mira Nair on set, the textile maker Aneeth Arora learned how to handle creative pressures of her own.
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Succession Style, Episode 4: Dressed for Mourning
The New York Times – Fashion & Style:
Marcia’s veil, Kerry’s pills, Shiv’s heels — as always, the costumes pointed subtly at each character’s potential to win or lose.
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Succession Style, Episode 3: Dressed for a Wedding or a Funeral
The New York Times – Fashion & Style:
The Roy children wore black in a shocking, emotional show.
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When Superheros Need Leather, These ‘Pop Artisans’ Go to Work
The New York Times – Fashion & Style:
Whitaker Malem has dressed everyone from Captain America to Megan Thee Stallion in custom-sculpted bodywear.
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Ruth Carter, Mary Zophres and Fellow Costume Design Nominees on Their Oscars Fashion
The New York Times – Fashion & Style:
The five Oscar nominees for costume design approach red-carpet fashion with an eye toward storytelling.