The New York Times – On the Runway:
For many Americans, Ms. Parton represented an idealized style of faith: one centered in small rural congregations that prize community over ideology.
The New York Times – On the Runway:
For many Americans, Ms. Parton represented an idealized style of faith: one centered in small rural congregations that prize community over ideology.
The New York Times – Music:
Dolly Parton met Carl Dean outside a Nashville laundromat in 1964. For decades, she was as protective of her marriage as he was fiercely private.
The New York Times – On the Runway:
This is what she did for the written word. And medicine. And …
The New York Times – Travel:
A surging online push to rename Nashville International Airport for the beloved Tennessean superstar could get snagged in bureaucracy and politics.
The New York Times – Music:
Andy Warhol’s images of Parton don’t strike me as up to the level of his best society portraits; they aren’t quite worthy of the singer’s complex excellence.
The New York Times – Music:
Bipartisan tributes demonstrated the success of the singer’s long-running effort to stay out of party politics in a sharply divided country.
The New York Times – Film:
During her Hollywood peak, Parton played women who knew their value, whether they were a secretary, brothel madam, hairdresser or radio show host.
The New York Times – Fashion & Style:
Perhaps more than many other entertainers who appeared alongside the Muppets, Parton seemed to have a natural ease with her inanimate sidekicks.
The New York Times – Film:
In movies like “9 to 5” and “Steel Magnolias,” Parton shined as a version of herself.