The New York Times – Music:
Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America.
Category: Cracknell, Carrie
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Murder Most Unromantic in a New ‘Carmen’ at the Metropolitan Opera
The New York Times – Music:
The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.
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‘Persuasion’ Review: The Present Intrudes Into the Past
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
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‘Persuasion’ Review: The Present Intrudes Into the Past
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
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‘Persuasion’ Review: The Present Intrudes Into the Past
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
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‘Persuasion’ Director Thinks Jane Austen Will Be Just Fine
The New York Times – Film:
After the backlash to the trailer for her Netflix drama, Carrie Cracknell argues that the movie was made with “openhearted respect” for the author.