The New York Times – Music:
Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America.
The New York Times – Music:
Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America.
The New York Times – Music:
The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
The New York Times – Film:
Dakota Johnson smirks her way through a Netflix adaptation of the rekindled romance in Jane Austen’s last novel, our critic writes.
The New York Times – Film:
After the backlash to the trailer for her Netflix drama, Carrie Cracknell argues that the movie was made with “openhearted respect” for the author.