The New York Times – Music:
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
The New York Times – Music:
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
The New York Times – Film:
Aunt Gladys. Tyler, the Creator. That sex scene in “The Naked Gun.” These are the things Culture staffers couldn’t stop thinking about this year.
The New York Times – Music:
Aunt Gladys. Tyler, the Creator. That sex scene in “The Naked Gun.” These are the things Culture staffers couldn’t stop thinking about this year.
The New York Times – Fashion & Style:
Alvin Ailey’s annual gala began with suits and bare chests on the red carpet and ended with dancing to Madonna’s “Like a Prayer.”
The New York Times – Music:
Ephrat Asherie’s “Shadow Cities” pairs her group’s adept dancers with live music by the great Arturo O’Farrill.
The New York Times – Music:
The choreographers Bobbi Jene Smith and Or Schraiber will put their own spin on “Satyagraha” by Philip Glass for its Paris Opera premiere.