The New York Times – Film:
Jack Black’s Po faces a new adversary, a chameleon voiced by Viola Davis, in the latest installment of this popular animated franchise.
Category: Davis, Viola
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‘Air’ Review: Matt Damon and Viola Davis Are the Real MVPs
The New York Times – Film:
In Ben Affleck’s enjoyable movie, Matt Damon stars as the Nike exec who’s trying to sign a young Michael Jordan. But first he must contend with Viola Davis.
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How the Oscars and Grammys Thrive on the Lie of Meritocracy
The New York Times – Music:
Despite all the markers of excellence, contenders like Danielle Deadwyler, Viola Davis and Beyoncé weren’t recognized for the highest honors. Niche awards don’t suffice.
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Beyoncé Makes History at a Star-Powered Grammy Ceremony
The New York Times – Music:
Beyoncé set a record for the most career Grammys won by any artist but was once again shut out of the biggest awards as the ceremony returned to a Los Angeles arena.
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Viola Davis Reaches EGOT Status With a Grammy Win
The New York Times – Music:
The actress picked up her trophy for best audio book, narration, and storytelling recording at the event’s preshow ceremony on Sunday.
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Andrea Riseborough’s Path to Surprise Oscar Nomination Is Scrutinized
The New York Times – Film:
Andrea Riseborough got the nod for the little-seen “To Leslie.” The Academy of Motion Picture Arts and Sciences is reviewing whether her A-list campaign violated rules.
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‘All Quiet on the Western Front’ Leads BAFTA Nominees
The New York Times – Film:
The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”
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Inside the Oscars’ Best-Actress Battle Royale
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
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We’re Out of Movie Stars. Whose Fault Is That?
The New York Times – Film:
There are fewer films now that allow an actor to grow a persona and a Tom Cruise level of stardom. It’s a crisis, and the movies know it.