The New York Times – Fashion & Style:
After the final award had been handed out, stars dispersed across Los Angeles for exclusive after-parties at hot spots like Spago and the Chateau Marmont.
Category: de Armas, Ana
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How All Those Star-Studded ‘Knives Out’ Casts Were Assembled
The New York Times – Film:
For the original, Daniel Craig was hired weeks, not months, in advance, and Ana De Armas joined days ahead. The latest, “Wake Up Dead Man,” followed that template.
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‘Ghosted’ Review: A C.I.A. Meet Cute
The New York Times – Film:
A date becomes a spy skirmish in this action-heavy, paint-by-numbers Apple TV+ rom-com starring Chris Evans and Ana de Armas.
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‘Saturday Night Live’: Ana de Armas and the First Warm Day of the Year
The New York Times – Film:
The “Blonde” star was the host and Karol G was the musical guest on an episode that was light on topical moments.
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Best Oscars Red Carpet Looks: Angela Bassett, Cate Blanchett and More
The New York Times – Film:
The greater the fashion risk, the greater the reward.
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How the Oscars and Grammys Thrive on the Lie of Meritocracy
The New York Times – Music:
Despite all the markers of excellence, contenders like Danielle Deadwyler, Viola Davis and Beyoncé weren’t recognized for the highest honors. Niche awards don’t suffice.
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‘All Quiet on the Western Front’ Leads BAFTA Nominees
The New York Times – Film:
The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”
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Inside the Oscars’ Best-Actress Battle Royale
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
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The Empty Spectacle of Marilyn Monroe’s Fantasy Fetus
The New York Times – Film:
“Blonde” pretends to imagine how Monroe would have felt about her pregnancies. Instead, it jarringly shoves a C.G.I. fetus into her midcentury mind.