The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic, starring Leonardo DiCaprio, is a romance, a western, a whodunit and a lesson in the bloody history of the Osage murders of the 1920s.
The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic, starring Leonardo DiCaprio, is a romance, a western, a whodunit and a lesson in the bloody history of the Osage murders of the 1920s.
The New York Times – Fashion & Style:
At an Apollo Theater benefit and a Tribeca Film Festival party, attendees showed off multicolored sequins and pastel tulle.
The New York Times – Music:
The Tribeca Festival and audio artists each have something the other wants. Can they make it work?
The New York Times – Film:
The comedian Sebastian Maniscalco enlists his “Irishman” colleague in this labored comedy, where gags fall flat.
The New York Times – Film:
In this true-life crime tale, they focused not on the investigators but on the evildoers, and made the Osage woman played by Lily Gladstone central.
The New York Times – Film:
Martin Scorsese directed this harrowing and deeply American true-crime drama set in the 1920s. Leonardo DiCaprio, Robert De Niro and Lily Gladstone star.
The New York Times – Film:
The actor recently donated hundreds of boxes of scripts, props, notes and other objects from his work on “Raging Bull,” “Taxi Driver” and more. We dived in.
The New York Times – Film:
His performance as Henry Hill includes many touches that weren’t in the script. But the producer didn’t want to cast him originally.
The New York Times – Film:
The Method taught actors to channel the complexity and messiness of human emotion into a performance. Why is that so hard to find in the movies today?