The New York Times – Film:
The box office hit landed five nods, while “The Last Showgirl” received unexpected recognition for stars Pamela Anderson and Jamie Lee Curtis.
The New York Times – Film:
You can’t forgive the Academy for passing up “Brokeback Mountain” or omitting Amy Adams in “Arrival,” among other oversights that still sting.
The New York Times – Music:
Despite all the markers of excellence, contenders like Danielle Deadwyler, Viola Davis and Beyoncé weren’t recognized for the highest honors. Niche awards don’t suffice.
The New York Times – Film:
Andrea Riseborough got the nod for the little-seen “To Leslie.” The Academy of Motion Picture Arts and Sciences is reviewing whether her A-list campaign violated rules.
The New York Times – Film:
The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”
The New York Times – Fashion & Style:
The best fashion at the Critics’ Choice Awards had an element of surprise.
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
The New York Times – Film:
The film’s Ke Huy Quan also won the supporting-performance trophy at the season’s first big ceremony, where honoree Adam Sandler brought down the house.
The New York Times – Film:
After critically acclaimed turns in “Station Eleven” and “The Harder They Fall,” her latest role hit close to home. That’s why she was hesitant to take it on.