The New York Times – Music:
The viola player Brett Dean took a risk that paid off when he left the orchestra to become a full-time composer.
The New York Times – Music:
The viola player Brett Dean took a risk that paid off when he left the orchestra to become a full-time composer.
The New York Times – Music:
The British tenor Allan Clayton’s portrayal of the title role in Brett Dean’s opera is personal, emotional — and a breakthrough.
The New York Times – Music:
Brett Dean, whose adaptation of the classic play is at the Metropolitan Opera, discusses the four notes that embody Hamlet’s dilemma.
The New York Times – Music:
Brett Dean and Matthew Jocelyn’s adaptation of the classic play is both traditional and innovative, elegant and passionate.
The New York Times – Music:
At the Metropolitan Opera, Brett Dean and Matthew Jocelyn’s adaptation of “Hamlet” nods to different, surprising versions of Shakespeare’s text.