The New York Times – Film:
The storyboard artist produced scene-by-scene sketches that shaped films like “Fargo,” “The Big Lebowski” and “No Country for Old Men.”
The New York Times – Film:
The storyboard artist produced scene-by-scene sketches that shaped films like “Fargo,” “The Big Lebowski” and “No Country for Old Men.”
The New York Times – Film:
His rugged good looks, commanding presence and versatility led to key roles in “M*A*S*H” and “Steel Magnolias,” and he won an Emmy on “Picket Fences.”
The New York Times – Film:
His Slackjaw column drew on his life, which included going blind and being locked up in a psychiatric ward. Two of his books were praised by Thomas Pynchon.
The New York Times – Music:
His gravelly vocals propelled a career that spanned nearly five decades and earned him a spot in the Country Music Hall of Fame.
The New York Times – Fashion & Style:
A fashion editor in London during the Swinging Sixties, she courted controversy by promoting skimpy new styles — and the undergarments they required.
The New York Times – Film:
Mr. Riehle, best remembered for playing an anxious character with “people skills,” built a career in theater, TV and film that lasted more than half a century.
The New York Times – Film:
An ordained minister at 4, Marjoe Gortner went on to star in a documentary that revealed the flimflammery of his former profession: “You go into it like a business.”
The New York Times – Music:
A leading star at the Metropolitan Opera in the 1960s and ’70s, she was one of the first Black singers to have a major stage career.
The New York Times – Music:
Conrad Lant, the frontman for Venom, took the stage name Cronos, pioneered black metal and more or less made Satan a sideman. He has died at 63.