The New York Times – Film:
Are the most intense scenes in “Nosferatu,” “Anora” and “Babygirl” supposed to be funny? If not, why are people cracking up?
The New York Times – Film:
Are the most intense scenes in “Nosferatu,” “Anora” and “Babygirl” supposed to be funny? If not, why are people cracking up?
The New York Times – Music:
Seventy-one tracks that asked big questions, found new kinship between genres and helped us see the good in Ken.
The New York Times – Film:
From “The Idol” to “Oppenheimer,” women’s bodies were on display on our screens the past few months. Some executions succeeded with humor, others felt misguided.
The New York Times – Film:
At Cannes, the sex-filled show is drawing plenty of controversy. That just means “we’re about to have the biggest show of the summer,” Sam Levinson says.