The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Music:
At the festival that Wagner founded, a new “Parsifal” looks different depending on how you see it, and a workshop model refreshes revivals.
The New York Times – Music:
Valentin Schwarz’s production of the four-opera epic presents human characters with relations even more tangled than usual.
The New York Times – Music:
At 33, Valentin Schwarz is taking on the monumental “Ring” cycle at the theater Wagner built for it in Bayreuth, Germany.
The New York Times – Music:
In Stuttgart, Wagner’s “Die Walküre” is being divided among a trio of creative teams with divergent visions.