The New York Times – Film:
Though “Idiocracy” and “The Godfather” topped their list, the sheer range of suggestions shows how there are many ways to understand the country.
The New York Times – Film:
Though “Idiocracy” and “The Godfather” topped their list, the sheer range of suggestions shows how there are many ways to understand the country.
The New York Times – Film:
Ten writers on the films that get at the hopes, dreams, heartbreak and hilarity of the U.S.A. as it turns 250.
The New York Times – Film:
Now is a good time to catch up on films you may have missed. Our critics have thoughts.
The New York Times – Film:
Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.
The New York Times – Film:
Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.
The New York Times – Film:
Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.
The New York Times – Film:
Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.
The New York Times – Film:
Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.
The New York Times – Film:
The director narrates a scene from his movie that is a continuation, of sorts, of a sequence he filmed for his feature-length debut, “Duel,” in 1971.