The New York Times – Film:
The auteur put his mark on the new film in a few spots, but his “Spider-Man” movies prove that superhero tales needn’t be so visually bland.
The New York Times – Film:
The auteur put his mark on the new film in a few spots, but his “Spider-Man” movies prove that superhero tales needn’t be so visually bland.
The New York Times – Film:
For the onscreen moms in “The Baby,” “Umma” and “Lamb” — and for an ascendant class of sardonic mom influencers — the source of psychological torture is motherhood itself.
The New York Times – Film:
The actress started as an indie darling and never expected to become a Marvel linchpin as Wanda Maximoff. But she’s now so invested in the role, she’s open to a solo film.
The New York Times – Film:
The actress started as an indie darling and never expected to become a Marvel linchpin as Wanda Maximoff. But she’s now so invested in the role, she’s open to a solo film.
The New York Times – Film:
Benedict Cumberbatch returns for some more mystic Marvel mumbo-jumbo, though Sam Raimi manages to inject a sense of horror every now and then.
The New York Times – Film:
Why do Wanda Maximoff and our title hero seem to be zombies, and what is the Darkhold? Here’s a rundown and a viewing guide to help.
The New York Times – Film:
Why do Wanda Maximoff and our title hero seem to be zombies, and what is the Darkhold? Here’s a rundown and a viewing guide to help.