The New York Times – Film:
Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.
The New York Times – Film:
Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.
The New York Times – Film:
A raucous adaptation of a gritty portrait of New York stifles tension with comedy, leaving its stars, Jon Bernthal and Ebon Moss-Bachrach, adrift.
The New York Times – Film:
A raucous adaptation of a gritty portrait of New York stifles tension with comedy, leaving its stars, Jon Bernthal and Ebon Moss-Bachrach, adrift.
The New York Times – Film:
Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film “Dog Day Afternoon.”
The New York Times – Film:
A week before opening night, tensions spilled over offstage, with the show’s producing team temporarily prohibiting Stephen Adly Guirgis from entering the theater.