The New York Times – Film:
In “Tuner,” a former musician turned safecracker has painful hyperacusis. For him, it’s a hidden talent. Here’s what it’s really like.
The New York Times – Film:
In “Tuner,” a former musician turned safecracker has painful hyperacusis. For him, it’s a hidden talent. Here’s what it’s really like.
The New York Times – Fashion & Style:
Los paisajes sonoros de los pájaros sirven para que las personas invidentes se orienten y conozcan el mundo que les rodea. La contaminación acústica dificulta esa percepción
The New York Times – Music:
Wearable backpacks designed by Music: Not Impossible, which allow people to experience music as vibrations on their bodies, are becoming more accessible to the public.
The New York Times – Music:
True believers in the immersive audio format say it could restore a musical appreciation lost to a generation that has come up during the streaming era.
The New York Times – Travel:
Legends tell of an echoless chamber in an old Minneapolis recording studio that drives visitors insane. I figured I’d give it a whirl.
The New York Times – Music:
The Los Angeles Philharmonic and Deaf West Theater are working on an innovative production conceived for both hearing and deaf operagoers.