The New York Times – Music:
Alsop has had enviable success, and was the first female conductor to lead a top American orchestra. She wants to take another step up.
The New York Times – Music:
Alsop has had enviable success, and was the first female conductor to lead a top American orchestra. She wants to take another step up.
The New York Times – Music:
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
The New York Times – Fashion & Style:
The challenge for Montana Levi Blanco, the Tony-winning costume designer for John Adams’s oratorio, was how to keep straight so many Marys.
The New York Times – Music:
In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.
The New York Times – Music:
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
The New York Times – Music:
The Philharmonic’s maestro ends his tenure, Igor Levit comes to Carnegie Hall, and the Metropolitan Opera takes a chance on reviving two recent hits.
The New York Times – Music:
The station, which had called the Met’s newer operas unsuitable because of their “difficult music” and “adult themes and harsh language,” reversed course.