The New York Times – Film:
Michel Gondry’s surreal love story stunned audiences in 2004, and some of its sentiments are all the more relevant in the social media age.
The New York Times – Film:
Michel Gondry’s surreal love story stunned audiences in 2004, and some of its sentiments are all the more relevant in the social media age.
The New York Times – Film:
In his performances in “Michael Clayton” and other films, he brought an element of danger and uncertainty that kept us on edge.