The New York Times – Film:
Get ready for originals like “House of Gucci” and “C’mon C’mon” or franchise updates like “The Matrix Resurrections” and “Ghostbusters: Afterlife.”
The New York Times – Film:
Get ready for originals like “House of Gucci” and “C’mon C’mon” or franchise updates like “The Matrix Resurrections” and “Ghostbusters: Afterlife.”
The New York Times – Film:
The actor is earning some of the best reviews of his career for his turn as a vicious bully in “The Power of the Dog.” Here’s what it took to become that seething cowboy.
The New York Times – Film:
Movies about men who make movies are common, but female auteurs don’t often get such chances. That’s just one reason two new releases are so surprising.
The New York Times – Film:
Filmed in five separate countries, this documentary follows, with ambitious scope and devastating intimacy, Syrian families displaced by war.
The New York Times – Film:
The weapon handed to Alec Baldwin was left on a tray for several minutes, said the lawyers. Earlier, they had said it had been unattended for hours.
The New York Times – Film:
Knopf plans to publish a book next year based on hours of recordings the movie star left behind, as well as interviews with family, friends and associates.
The New York Times – Film:
Hannah Gutierrez-Reed was in charge of firearms on the New Mexico film set where Alec Baldwin fatally shot a cinematographer with a gun that was not supposed to contain live ammunition.
The New York Times – Film:
The actress is used to secondary parts, but with “King Richard” she is being singled out for her turn as the mother of Venus and Serena Williams.
The New York Times – Film:
Jeymes Samuel’s film is a bloody horse opera with a charismatic cast.